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	<title>UH Press Journals Log &#187; The Contemporary Pacific</title>
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		<title>UH Press Journals Log &#187; The Contemporary Pacific</title>
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		<title>The Contemporary Pacific, vol. 21, no. 1 (2009)</title>
		<link>http://uhpjournals.wordpress.com/2009/02/20/the-contemporary-pacific-vol-21-no-1-2009/</link>
		<comments>http://uhpjournals.wordpress.com/2009/02/20/the-contemporary-pacific-vol-21-no-1-2009/#comments</comments>
		<pubDate>Sat, 21 Feb 2009 02:43:11 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[About the Artist: Lingikoni Vaka‘uta, vii
The Pacific Islands, viii
Editor’s Note, ix
Terence Wesley-Smith
ARTICLES
Beyond “Migration”: Samoan Population Movement (Malaga) and the Geography of Social Space (Vā)
Sa‘iliemanu Lilomaiava-Doktor, 1
Abstract: New flows of population movements have called into question both conventional categories of “migration” and their assumptions, encouraged by concepts such as diaspora and transnationalism. Despite the incorporation of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=717&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><img class="alignright" src="http://www.uhpress.hawaii.edu/journals/cp/tcp211.jpg" alt="The Contemporary Pacific 21.1 cover image" /><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.higgins.html">About the Artist: Lingikoni Vaka‘uta</a>, vii</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.article.html">The Pacific Islands</a>, viii</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.wesley-smith.html">Editor’s Note</a>, ix<br />
Terence Wesley-Smith</p>
<h4>ARTICLES</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.lilomaiava-doktor.html">Beyond “Migration”: Samoan Population Movement <em>(Malaga)</em> and the Geography of Social Space <em>(Vā)</em></a></strong><br />
Sa‘iliemanu Lilomaiava-Doktor, 1</p>
<p><span id="more-717"></span><strong>Abstract:</strong> New flows of population movements have called into question both conventional categories of “migration” and their assumptions, encouraged by concepts such as diaspora and transnationalism. Despite the incorporation of the new concepts diaspora and transnationalism in migration studies in Oceania, conceptual problems remain because traditional categories of migration, diaspora, and transnationalism continue to dominate mobility literature with notions of severing ties, uprootedness, and rupture as Pacific Islanders move from the periphery (villages) to the core (Pacific Rim countries). In this article, I argue that indigenous conceptions of migration and development provide a better understanding of people’s movements and the connection of migration to development for Island societies and economies. Through an ethnogeographic study of Salelologa, a Samoan village with members in Sāmoa and overseas, I use Samoan concepts for migration, <em>malaga,</em> and social connectedness, <em>vā,</em> to examine the processes, ideologies, and interactions that <em>‘āiga</em> (kin group, family members) maintain and retain in the diaspora as they seek ways to improve households and human betterment. This discussion of a Samoan philosophy and epistemology of movement expands, invigorates, and redefines ideas of migration, development, transnationality, place, and identity through Samoan ontological lenses. Harnessing an awareness of indigenous concepts is not enough, however, unless indigeneity and its concepts are fully integrated into theoretical approaches to mobility research in Oceania.<br />
<strong>Keywords:</strong> indigeneity, epistemology, <em>malaga, vā,</em> development, ideology, Pacific Islander</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.higgins01.html">The Red Wave Collective: The Process of Creating Art at the Oceania Centre for Arts and Culture</a></strong><br />
Katherine Higgins, 35</p>
<p><strong>Abstract:</strong> The Oceania Centre for Arts and Culture at the University of the South Pacific in Suva, Fiji, is a space where Oceanic identity is expressed through painting, sculpture, music, and dance. For a decade, artists have been expressing a burgeoning Oceanic identity infused with traditions and histories expressed in the contemporary period through art. The founder and director, Epeli Hau‘ofa, has nurtured a space for Oceanic arts that encourages a participative process of learning that speaks to the potential of each individual while simultaneously forming a dedicated community of artists learning from one another. What is unique about the Oceania Centre is the process of creation in which artists are forming and asserting their identity. This identity is respectful of and concerned with traditions, histories, current conditions (cultural, social, and political), and overall experience of Oceania. The process of participative creative exchange at the Oceania Centre is integrated throughout its painting, sculpture, dance, and music programs to produce expressions that move like waves with the fortitude and force of the ocean. As with any process, the creativity at the center is dynamic and not limited to the contemporary or traditional. The art evolves. It invites the ancestors into conversations in the present to dream of the future. Beginning with a brief history and introduction to Hau‘ofa’s vision, this article focuses on the Red Wave Collective, the group of painters and sculptors practicing at the Oceania Centre. These artists arrive at the Oceania Centre from different walks of life. Their qualification to join: experience of life as an Oceanian. Excerpts from interviews with some of the Red Wave painters and sculptors offer a glimpse into the value of participative learning space and the dynamic process of creativity at the Oceania Centre.<br />
<strong>Keywords:</strong> contemporary art, Oceanic art, Epeli Hau‘ofa, Oceania Centre for Arts and Culture, Red Wave Collective</p>
<h4>DIALOGUE</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.lal.html">A Well with No Water</a></strong><br />
Brij V Lal, 73</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.hanlon.html">The “Sea of Little Lands”: Examining Micronesia’s Place in “Our Sea of Islands”</a></strong><br />
David Hanlon, 91</p>
<p><strong>Abstract:</strong> Paul Rainbird has written on the assumed absence of certain cultural practices that informed Jules-Sébastien-César Dumont d’Urville’s identification of Micronesia as a definable and major area of the Pacific. What followed d’Urville’s misnaming was the ethnological reification of Micronesia as a coherent cultural entity. Colonialism, most recently and most particularly American colonialism, has contributed to the reification of this anthropological construct in politically significant and intellectually constraining ways. This essay reflects on a variety of linked histories—anthropological, colonial, and literary—that help explain the area’s limited connections to the rest of contemporary Oceania and its related, more general circumscription from the field of Pacific studies. It also focuses on recent writings that destabilize the term <em>Micronesia</em> in favor of more localized histories, ethnographies, and literature—a process that is consistent with Hau‘ofa’s vision of “our sea of islands.”<br />
<strong>Keywords:</strong> American empire, anthropology, decolonization, Micronesia, Pacific studies, Oceania</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.haglelgam.html">Micronesia in Review: Issues and Events, 1 July 2007 to 30 June 2008</a></strong><br />
John R Haglelgam, David W Kupferman, Kelly G Marsh, Samuel F McPhetres, Donald R Shuster, 114</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.jonassen.html">Polynesia in Review: Issues and Events, 1 July 2007 to 30 June 2008</a></strong><br />
Lorenz Gonschor, Jon Tikivanotau M Jonassen, Margaret Mutu, Unasa L F Va‘a, 145</p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p184.pdf">Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas</a>,</em> by Christopher B Balme<br />
Reviewed by Jane Desmond, 184</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p187.pdf">Waikīkī: A History of Forgetting and Remembering</a>,</em> by Andrea Feeser and Gaye Chan<br />
Reviewed by Marata Tamaira, 187</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p190.pdf">Island of Shattered Dreams</a>,</em> by Chantal T Spitz<br />
Reviewed by Paul Sharrad, 190</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p192.pdf">Solomon Island Years: A District Administrator in the Islands 1952–1974</a>,</em> by James L O Tedder<br />
Reviewed by Ben Burt, 192</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p194.pdf">Security and Development in the Pacific Islands: Social Resilience in Emerging States</a>,</em> edited by M Anne Brown<br />
Reviewed by Tarcisius Tara Kabutaulaka, 194</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p197.pdf">The Insular Cases and the Emergence of American Empire</a>,</em> by Bartholomew H Sparrow<br />
Reviewed by Laurel A Monnig, 197</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p200.pdf">Eagle vs Shark</a></em> [feature film]<br />
Reviewed by Joel Moffett, 200</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p202.pdf">Resistance: An Indigenous Response to Neoliberalism</a>,</em> edited by Maria Bargh<br />
Reviewed by Fuifuilupe Niumeitolu, 202</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p205.pdf">Memories of War: Micronesians in the Pacific War</a>,</em> by Suzanne Falgout, Lin Poyer, and Laurence M Carucci<br />
Reviewed by Mac Marshall, 205</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp211p207.pdf">The Growth and Collapse of Pacific Island Societies: Archeological and Demographic Perspectives</a>,</em> edited by Patrick V Kirch and Jean-Louis Rallu<br />
Reviewed by Terry L Hunt, 207</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v021/21.1.contributors.html">CONTRIBUTORS</a>,</strong> 211</p>
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			<media:title type="html">The Contemporary Pacific 21.1 cover image</media:title>
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		<title>The Contemporary Pacific, vol. 20, no. 2 (2008)</title>
		<link>http://uhpjournals.wordpress.com/2008/08/01/the-contemporary-pacific-vol-20-no-2-2008/</link>
		<comments>http://uhpjournals.wordpress.com/2008/08/01/the-contemporary-pacific-vol-20-no-2-2008/#comments</comments>
		<pubDate>Fri, 01 Aug 2008 19:12:56 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[About the Artist: Jewel Castro, vii
The Pacific Islands, viii
ARTICLES
Alternative Market Values? Interventions into Auctions in Aotearoa/New Zealand
Haidy Geismar, 291
This article discusses the auction market for certain kinds of taonga Māori (Māori treasures or cultural property). The social, political, and economic tensions that emerge from the national regulation of the auction market for Māori artifacts are [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=387&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><img class="alignright" src="http://www.uhpress.hawaii.edu/journals/cp/tcp202.jpg" alt="The Contemporary Pacific 20.2 cover image" width="150" height="216" /><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.kamehiro.html">About the Artist: Jewel Castro</a>, vii</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.article01.html">The Pacific Islands</a>, viii</p>
<h4>ARTICLES</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.geismar.html">Alternative Market Values? Interventions into Auctions in Aotearoa/New Zealand</a></strong><br />
Haidy Geismar, 291</p>
<p><span id="more-387"></span>This article discusses the auction market for certain kinds of taonga Māori (Māori treasures or cultural property). The social, political, and economic tensions that emerge from the national regulation of the auction market for Māori artifacts are framed by the complex political dynamic in Aotearoa / New Zealand of biculturalism: a Treaty-based political contract between Māori (indigenous people of Aotearoa) and Pākehā (settlers in colonial New Zealand, primarily of European descent), subject to continual negotiation. The antiquities market, which includes Māori artifacts, is carefully regulated by the government in keeping with (evershifting) understandings of Crown sovereignty over national cultural heritage. Interventions by Māori activists and curators complicate this notion of sovereignty<br />
and assert a primacy of indigenous title. I argue that these idiosyncratic interventions, within the political context of biculturalism, alter the very form of the market, undermining perceived dichotomies between taonga and commodity, indigenous and market values. Eventual auction results reflect a synthesis of complex intercultural negotiation and opposition between activists, dealers, auctioneers, and collectors. The case studies here raise important issues around the relationship among value, social and political relations, and the form and substance of the marketplace.<br />
<strong>Keywords:</strong> market, auction, taonga, commodity, Aotearoa / New Zealand</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.imada.html">The Army Learns to Luau: Imperial Hospitality and Military Photography in Hawai‘i</a></strong><br />
Adria L Imada, 329</p>
<p>Circulating in the contemporary global cultural marketplace, the tourist luau is an iconic form of commodified hospitality and leisure, readily available in embodied and mediated forms. This article traces the emergence of the luau as a material practice and discursive formation during the “mili-touristic” economy of World War II Hawai‘i in films shot by US military units. US combat photography units staged ethnographic performances of hula and luaus, transforming the luau from<br />
a privileged experience for a select few to a mass mediated event. These filmic performances produced scripts of imperial hospitality: imagined and enacted scripts in which Islanders and soldiers play roles as host and guest, respectively. Military luaus rendered uneven colonial relationships as mutual and consensual encounters between white soldiers and Native women. Through the exercise of biopower, military cameras did not merely discipline Hawaiian populations, but also integrated colonial subjects and regulated Hawaiian sexuality. These gendered scripts continue to secure Hawai‘i as a rest and relaxation capital for US military personnel.<br />
<strong>Keywords:</strong> militarization, photography, biopower, sexuality, hula, luau</p>
<h4>DIALOGUE</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.ohnuma.html">“Aloha Spirit” and the Cultural Politics of Sentiment as National Belonging</a></strong><br />
Keiko Ohnuma, 365</p>
<p>From the “Live Aloha” bumper stickers seen throughout Hawai‘i to the state constitution advising lawmakers to “give consideration to the Aloha Spirit,” the panacea of aloha is trotted out to answer every source of conflict in the Islands, from political to spiritual. The trope has been synonymous with Hawai‘i for so long that few people are bothered by its resistance to definition, its tendency to evoke closure where one would expect to see debate and dissent. I propose that this is not only because aloha points toward the things closest to people’s hearts—family, church, and nation—but also and more importantly because it succeeds in obscuring a history of traumatic meanings, all carrying political investments that remain couched beneath the seemingly transparent universality of such private sentiments as love and kindness. As a metonym for the Aloha State, “aloha spirit” serves as both social lubricant and glue, binding a cultural and political entity whose membership is contested. Unresolved historical contests run beneath the surface, however, driving an economy of lack that serves to keep aloha in motion. It is in the interest of divesting the figure of its traumatic power that this genealogy attempts to unpack some of the signifier’s hidden histories.<br />
<strong>Keywords:</strong> aloha, Hawai‘i, multiculturalism, nationalism, politics of sentiment</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.whimp.html">Interdisciplinarity and Pacific Studies: Roots and Routes</a></strong><br />
Graeme Whimp, 397</p>
<p>This paper discusses the approaches generally grouped under the heading of “interdisciplinarity.” There is no intention to arrive at a perfect, authoritative definition of interdisciplinarity, but rather to assess the contribution those approaches might make. The essay begins by briefly covering some generalizations about Pacific knowledges and considers the European academic framework before and during the emergence of disciplines. It then outlines that emergence, reviews a range of ideas about the nature of interdisciplinarity and related methodologies, and examines the relationship between interdisciplinarity and area studies. Finally the paper attempts to establish the specific identity of one Pacific studies program, that of Victoria University of Wellington, considering some possible obstacles and impediments to its development, and presenting some suggestions for possible program orientation and content.<br />
<strong>Keywords:</strong> area studies, academic disciplines, interdisciplinarity, multidisciplinarity, Pacific studies</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.von-strokirch.html">The Region in Review: International Issues and Events, 2007</a></strong><br />
Karin von Strokirch, 424</p>
<p><strong>Melanesia in Review: Issues and Events, 2007</strong><br />
David Chappell (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.chappell.html">New Caledonia</a>), Jon Fraenkel (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.fraenkel.html">Fiji</a>), Anita Jowitt (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.jowitt.html">Vanuatu</a>), Brian Lenga (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.2.lenga.html">Solomon Islands</a>), 450</p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p484.pdf">A New Island</a></em> [dvd]<br />
<em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p484.pdf">Micronesians Abroad</a></em> [dvd]<br />
Reviewed by Jim Hess, 484</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p487.pdf">Rock of Contention: Free French and Americans at War in New Caledonia, 1940–1945</a>,</em> by Kim Munholland<br />
<em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p487.pdf">Nouvelle-Calédonie 1945–1968: La Confiance Trahie</a>,</em> by Jean Le Borgne, preface by Pierre Chaunu<br />
Reviewed by David Chappell, 487</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p490.pdf">The Power of Perspective: Social Ontology and Agency on Ambrym, Vanuatu</a>,</em> by Knut Mikjel Rio<br />
Reviewed by Lamont Lindstrom, 490</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p493.pdf">Wayward Women: Sexuality and Agency in a New Guinea Society</a>,</em> by Holly Wardlow<br />
Reviewed by Laura Zimmer-Tamakoshi, 493</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p495.pdf">Our Wealth Is Loving Each Other: Self and Society in Fiji</a>,</em> by Karen J Brison<br />
Reviewed by Matthew Tomlinson, 495</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p497.pdf">Grassroots, Ceux qui votent</a></em> [dvd]<br />
Reviewed by Carlos Mondragón, 497</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p500.pdf">Half-Lives and Half-Truths: Confronting the Radioactive Legacies of the Cold War</a>,</em> edited by Barbara Rose Johnston<br />
Reviewed by Robert C Kiste, 500</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p503.pdf">Texts and Contexts: Reflections in Pacific Islands Historiography</a>,</em> edited by Doug Munro and Brij V Lal<br />
Reviewed by Keith L Camacho, 503</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p506.pdf">The Loneliness of Islands: Collected Poems 1976–2000</a>,</em> by Satendra Nandan<br />
Reviewed by Seri I Luangphinith, 506</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p508.pdf">Varua Tupu: New Writing from French Polynesia</a>,</em> edited by Frank Stewart, Kareva Mateatea-Allain, and Alexander Dale Mawyer<br />
Reviewed by Robert Sullivan, 508</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p510.pdf">New Ireland: Art of the South Pacific</a></em> [exhibition, and catalog edited by Michael Gunn and Philippe Peltier]<br />
Reviewed by Deborah Waite, 510</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p513.pdf">Paul Jacoulet’s Vision of Micronesia</a></em> [exhibition, and catalog by Donald Rubinstein]<br />
Reviewed by Judy Flores, 513</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p516.pdf">The Great Ocean Voyages: Vaka Moana and Island Life Today</a></em> [exhibition]<br />
Reviewed by Manami Yasui, 516</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp202p518.pdf">Guitar Style, Open Tunings, and Stringband Music in Papua New Guinea</a>,</em> by Denis Crowdy<br />
Reviewed by Brian Diettrich, 518</p>
<p><strong>CONTRIBUTORS,</strong> 523</p>
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		<title>Pacific Islands Monograph Series</title>
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		<pubDate>Tue, 29 Jul 2008 21:16:37 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[22. The Other Side: Ways of Being and Place in Vanuatu, by John Patrick Taylor (2008)
21. Songs from the Second Float: A Musical Ethnography of Takū Atoll, Papua New Guinea, by Richard Moyle (2007)
20. Imagining the Other: The Representation of the Papua New Guinean Subject, by Regis Tove Stella (2006)
19. Colonial Dis-ease: U.S. Navy and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=131&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><img class="alignright" style="margin-left:5px;margin-right:5px;" src="http://www.uhpress.hawaii.edu/journals/cp/pims22fig27.jpg" alt="PIMS 22, fig. 27" align="right" />22. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=978-0-8248-3302-2">The Other Side:</a> Ways of Being and Place in Vanuatu,</em> by John Patrick Taylor (2008)</p>
<p>21. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=978-0-8248-3175-2">Songs from the Second Float:</a> A Musical Ethnography of Takū Atoll, Papua New Guinea,</em> by Richard Moyle (2007)</p>
<p>20. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=978-0-8248-2575-1">Imagining the Other:</a> The Representation of the Papua New Guinean Subject,</em> by Regis Tove Stella (2006)</p>
<p><span id="more-131"></span>19. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-2808-9">Colonial Dis-ease:</a> U.S. Navy and Health Policies and the Chamorros of Guam, 1898-1941,</em> by Anne Perez Hattori (2004)</p>
<p>18. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-2390-7">An Honorable Accord:</a> The Covenant between the Northern Mariana Islands and the United States,</em> by Howard P Willens and Deanne C Siemer (2001)</p>
<p>17. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-2280-3"><cite>Law and Order in a Weak State:</cite></a> Crime and Politics in Papua New Guinea,</em> by Sinclair Dinnen (2000)</p>
<p>16. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-2177-7"><cite>The People Trade:</cite></a> Pacific Island Laborers and New Caledonia, 1865-1930,</em> by Dorothy Shineberg (1998)</p>
<p>15. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1747-8"><cite>My Gun, My Brother:</cite></a> The World of the Papua New Guinea Colonial Police, 1920-1960,</em> by August I K Kituai (1998)</p>
<p>14. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1664-1"><cite>Guardians of Marovo Lagoon:</cite></a> Practice, Place, and Politics in Maritime Melanesia,</em> by Edvard Hviding (1996)</p>
<p>13. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-2804-6">Strangers in Their Own Land:</a> A Century of Colonial Rule in the Caroline and Marshall Islands,</em> by Francix X Hezel, SJ (cloth 1995 out of print; paper 2003)</p>
<p>12. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1655-2"><cite>Woven Gods:</cite></a> Female Clowns and Power in Rotuma,</em> by Vilsoni Hereniko (1995)</p>
<p>11. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1418-5"><cite>Broken Waves:</cite></a> A History of the Fiji Islands in the Twentieth Century,</em> by Brij V. Lal (1992)</p>
<p>10. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=978-0-8248-1333-8">Not the Way It Really Was</a>: Constructing the Tolai Past,</em> by Klaus Neumann (1992)</p>
<p>9. <em>Bellona Island Beliefs and Rituals,</em> by Torben Monberg (1991), out of print</p>
<p>8. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1146-1"><cite>The Pacific Theater:</cite></a> Island Representations of World War II,</em> edited by Geoffrey M White and Lamont Lindstrom (1989). Copublished with Melbourne University Press.</p>
<p>7. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1217-4"><cite>Tungaru Traditions:</cite></a> Writings on the Atoll Culture of the Gilbert Islands,</em> by Arthur F Grimble, edited by H E Maude (1989). Copublished with Melbourne University Press.</p>
<p>6. <em>Missionary Lives: Papua, 1874-1914,</em> by Diane Langmore (1989), out of print</p>
<p>5. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1124-0"><cite>Upon a Stone Altar:</cite></a> A History of the Island of Pohnpei to 1890,</em> by David Hanlon (1988)</p>
<p>4. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1480-0">Nan&#8217;yo:</a> The Rise and Fall of the Japanese in Micronesia, 1885-1945,</em> by Mark R Peattie (1988)</p>
<p>3. <em><cite></cite><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1078-3"><cite>Wealth of the Solomons:</cite></a> A History of a Pacific Archipelago, 1800-1978,</em> by Judith A Bennett (1987)</p>
<p>2. <em>Where the Waves Fall: A New South Sea Islands History from First Settlement to Colonial Rule,</em> by K R Howe (1984), UH Press edition out of print. Copublished with Allen &amp; Unwin, Sydney.</p>
<p>1. <em><a href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress&amp;page=shop/flypage&amp;product_sku=0-8248-1643-9">The First Taint of Civilization:</a> A History of the Caroline and Marshall Islands in Pre-Colonial Days, 1521-1885,</em> by Francis X Hezel, SJ (1983)</p>
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			<media:title type="html">PIMS 22, fig. 27</media:title>
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		<title>The Contemporary Pacific, vol. 20, no. 1 (2008): Re-membering Oceanic Masculinities</title>
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		<pubDate>Mon, 11 Feb 2008 20:23:17 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[Special Issue: Re-membering Oceanic Masculinities
Guest-edited by Margaret Jolly
About the Artist: Carl F K Pao, ix
 The Pacific Islands, x
ARTICLES
Moving Masculinities: Memories and Bodies Across Oceania
Margaret Jolly, 1
Past studies of Oceanic masculinities have tended to see masculinity in the singular, through the lens of unchanging cultural traditions, wherein types of men were iconic of cultural differences. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=361&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><h3><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1cover_art.html"><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp201.jpg" alt="TCP 20.1 cover image" align="right" border="0" height="216" hspace="5" vspace="5" width="158" /></a>Special Issue: Re-membering Oceanic Masculinities<br />
Guest-edited by Margaret Jolly</h3>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1artist.html">About the Artist</a>: Carl F K Pao, ix<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/toc/images/pacific_islands01.jpg"> The Pacific Islands</a>, x</p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1jolly.html"><b>Moving Masculinities: Memories and Bodies Across Oceania</b></a><br />
Margaret Jolly, 1</p>
<p><span id="more-361"></span>Past studies of Oceanic masculinities have tended to see masculinity in the singular, through the lens of unchanging cultural traditions, wherein types of men were iconic of cultural differences. This special issue considers masculinities in the plural, both within and between cultures, exploring the relations between hegemonic and subordinate masculinities and how masculinities are configured in the context of colonial histories, militarism, and globalization. It connects a historical and relational approach to masculinities to embodied experience and individual and collective memories across the diversity of Oceania.<br />
<b>Keywords:</b> masculinities, Oceania, histories, bodies, sexualities, militarism, colonialism</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1tengan.html"><b>Re-membering Panalā‘au: Masculinities, Nation, and Empire in Hawai‘i and the Pacific</b></a><br />
Ty P Kāwika Tengan, 27</p>
<p>Between 1935 and 1942, over one hundred thirty young, mostly Native Hawaiian men (later known as the Hui Panalā‘au) “colonized” five small islands in the Equatorial Pacific as employees of the US Departments of Commerce and Interior. Students and alumni from the Kamehameha Schools served exclusively in the first year, and their experiences largely structured the ways that the project was represented at the time and would be remembered later in a 2002 Bishop Museum exhibit. In this essay, I examine the ways that the bodies and memories of the Kamehameha colonists became fertile grounds for re-membering masculinities, a type of gendered memory work that facilitates the formation of group subjectivities through the coordination of personal memories, historical narratives, and bodily experiences and representations. The colonists embodied a Hawaiian-American masculinity that allowed a wide range of interlocutors and audiences to make (sometimes divergent) claims to racialized citizenship and gendered belonging. Their experiences spoke to the predicament of Hawaiian men working in and against US colonialism, and thus they enabled a collective re-membering of Hawaiian masculinities that helped counter notions of Hawaiian men’s laziness, marginality, and absence, both in the political economy of the territory and the present-day movements for self-determination and decolonization.<br />
<b>Keywords:</b> masculinities, colonialism, militarism, nationalism, memory, embodiment, Hawai‘i</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1dvorak.html"><b>“The Martial Islands”: Making Marshallese Masculinities between American and Japanese Militarism</b></a><br />
Greg Dvorak, 55</p>
<p>For over a century, the Marshall Islands have been entangled between the United States and Japan in their conquest of the Central Pacific; yet because of this, these islands have also been a place where multiple masculinities have converged, competed, and transformed each other. This is especially true around the site of Kwajalein Atoll, where terrain understood in Marshallese terms as female or maternal has been reshaped and masculinized through the semiotics of colonialism and militarization. This article focuses specifically on three local representations of masculinity: the knowledgeable but strategic Marshallese “Etao,” symbolized by a creative and resourceful male trickster spirit; the heroic but paternalistic American “Patriot,” as enacted via the perpetual battlefield of military and weapons-testing missions; and the adventurous but self-sacrificing “Dankichi,” deployed in Japan during the 1930s and echoed nowadays in the long-distance tuna-fishing industry. Cross-reading Judith Butler and R W Connell, this is an exploration of the “theater” of these masculinities in relationship to one another, and the story of how different superpowers strive for domination by emasculating a third colonial site and its subjects.<br />
<b>Keywords:</b> masculinities, Marshall Islands, Kwajalein Atoll, gender, America, Japan, Pacific War</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1walker.html"><b>Hui Nalu, Beachboys, and the Surfing Boarder-lands of Hawai‘i</b></a><br />
Isaiah Helekunihi Walker, 89</p>
<p>In this article I argue that the Hawaiian conceptual, cultural, and physical space called po‘ina nalu (surf zone) was a borderland (or boarder-land) where colonial hegemony was less effectual and Hawaiian resistance continuous. Through the history of Hawaiian surfing clubs, specifically the Hui Nalu and the Waikīkī beachboys, Hawaiian male surfers both subverted colonial discourses—discourses that represented most Hawaiian men as passive, unmanly, and nearly invisible—and confronted political haole (white) elites who overthrew Hawai‘i’s Native government in the late 1800s. My ultimate conclusion is that the ocean surf was a place where Hawaiian men negotiated masculine identities and successfully resisted colonialism.<br />
<b>Keywords:</b> Hawai‘i, history, masculinity, surfi ng, borderlands, resistance</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1hokowhitu.html"><b>The Death of Koro Paka: “Traditional” Māori Patriarchy</b></a><br />
Brendan Hokowhitu, 115</p>
<p>This article is underpinned by the simple question of what knowledge is produced about Māori men and why. In particular, it deconstructs the invention, authentication, and re-authentication of “traditional” Māori patriarchy. It begins by examining how Māori patriarchy was invented and authenticated through the hybridization of Māori and British masculine cultures, especially through the early colonial education of a select few Māori boys, who were subjects of a British public schooling technique. The article draws from this historical analysis to demonstrate how Māori patriarchy continues to be authenticated in today’s popular culture. Here, the contemporary re-authentication of Māori patriarchy is drawn attention to through a deconstruction of the film <i>Whale Rider.</i> This film analysis argues that <i>Whale Rider</i> deploys a dangerous conflation of representation and reality, which ultimately re-authenticates the invented tradition of Māori patriarchy. The article is less concerned with denouncing particular tropes of Māori men as “false” and more with how such “truths” have come to be privileged; it also seeks to uncloak the processes that produce Māori masculine subjectivities.<br />
<b>Keywords:</b> Māori, masculinity, patriarchy, film, <i>Whale Rider,</i> sport, rugby</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1alexeyeff.html"><b>Globalizing Drag in the Cook Islands: Friction, Repulsion, and Abjection</b></a><br />
Kalissa Alexeyeff, 143</p>
<p>Male to female cross-dressing and performing have a long indigenous history in the Cook Islands. In recent years, Western-style drag shows have also been included in the Cook Islands cross-dressing repertoire. This article takes the highly cosmopolitan vehicle of the drag show and uses it to track the relationship between local and global models of gender and sexuality. It examines ways in which the iconography of domesticity and motherhood has been used to signify an uneasy relationship between local and global ideas of sexuality and gender.<br />
<b>Keywords:</b> globalization, gender, sexuality, performance, Cook Islands</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1george.html"><b>Contending Masculinities and the Limits of Tolerance: Sexual Minorities in Fiji</b></a><br />
Nicole George, 163</p>
<p>Despite the fact that Fiji is one of only a handful of states to have given constitutional recognition to the rights of sexual minorities in its most recent constitution enacted in 1998, controversy over the issue of individual sexual orientation, and powerful condemnation of those who choose to publicly demonstrate a homosexual or transgender identity, has flourished in the public domain. The focus on male homosexuality has been predominant in this debate, with many influential political actors framing discourses of masculinity in ways that affirm Christian ideals of morality while also reinforcing the Christian Church’s normative political authority. However, as this article demonstrates, public discourses of masculinity have also been articulated in a highly selective manner. This becomes clear when public debate that construes homosexuality in Fiji as a threat to the integrity of the country’s key social institutions is contrasted with some church and political leaders’ far more lenient responses to the forms of violent and lawless masculine behavior that predominated during the 2000 coup. While these developments have increased the political and social vulnerability of Fiji’s homosexuals, young gay men have also employed strategies that contest mainstream discriminatory attitudes. In this article, I describe how the terrain of sexual minority politics is configured in ways that authorize certain varieties of masculine behavior and subordinate others, and consider the strategies deployed by local gay males to contest homophobic sentiments articulated in the public domain.<br />
<b>Keywords:</b> masculinities, homosexuality, nationalism, Christianity, Fiji</p>
<h4>POLITICAL REVIEWS</h4>
<p><b>Micronesia in Review: Issues and Events, 1 July 2006 to 30 June 2007</b><br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1haglelgam.html"> John R Haglelgam</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1marsh.html">Kelly G Marsh</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1mcphetres.html">Samuel F McPhetres</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1cover_art.html">Donald R Shuster</a>, 192</p>
<p><b>Polynesia in Review: Issues and Events, 1 July 2006 to 30 June 2007</b><br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1angleviel.html">Frédéric Angleviel</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1gonschor01.html">Lorenz</a> <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1gonschor02.html">Gonschor</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1tikivanotau.html">Jon Tikivanotau</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1jonassen.html">M Jonassen</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1mutu.html">Margaret Mutu</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1paeniu.html">Bikenibeu Paeniu</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v020/20.1va'a.html">Unasa L F Va‘a</a>, 216</p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p258.pdf"><i>Imagining the Other: The Representation of the Papua New Guinea Subject,</i></a> by Regis Tove Stella<br />
Reviewed by Eugene Ogan, 258</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p260.pdf"><i>Yali’s Question: Sugar, Culture, and History,</i></a> by Frederick Errington and Deborah Gewertz<br />
Reviewed by James Leach, 260</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p262.pdf"><i>British Documents on the End of Empire.</i> Series B, Volume 10: <i>Fiji,</i></a> edited by Brij V Lal<br />
Reviewed by Robert Norton, 262</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p265.pdf"><i>The Nose Flute Breathes Again, with Calvin Rore</i></a> [compact disc]<br />
Reviewed by Brian Diettrich, 265</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p266.pdf"><i>The Canoe is the People: Indigenous Navigation in the Pacific</i></a> [cd-rom]<br />
Reviewed by Joseph Genz, 266</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p268.pdf"><i>Traditional Medicine of the Marshall Islands: The Women, the Plants, the Treatments,</i></a> by Irene J Taafaki, Maria Kabua Fowler, and Randolph R Thaman<br />
Reviewed by Nancy J Pollock, 268</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p270.pdf"><i> Dobu: Ethics of Exchange on a Massim Island, Papua New Guinea,</i></a> by Susanne Kuehling<br />
Reviewed by Will Rollason, 270</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p272.pdf"><i>Redefining the Pacific? Regionalism Past, Present and Future,</i></a> edited by Jenny Bryant-Tokalau and Ian Frazer<br />
Reviewed by Nic Maclellan, 272</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p275.pdf"><i>Strangers in the South Seas: The Idea of the Pacific in Western Thought; An Anthology,</i></a> edited by Richard Lansdown<br />
Reviewed by Rainer F Buschmann, 275</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p277.pdf">Island Affinities: Contemporary Art of Oceania</a> [exhibition]<br />
Reviewed by Adria L Imada, 277</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p280.pdf">Coaxing the Spirits to Dance: Art and Society in the Papuan Gulf of New Guinea</a> [exhibition]<br />
Reviewed by Haidy Geismar, 280</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp201p283.pdf">Power and Taboo: Sacred Objects from the Eastern Pacific. Pasifika Styles. Pacific Encounters: Art and Divinity in Polynesia</a> [exhibitions]<br />
Reviewed by Rosanna Raymond, 283</p>
<p><b>CONTRIBUTORS,</b> 287</p>
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		<title>The Contemporary Pacific, vol. 19, no. 2 (2007)</title>
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		<pubDate>Fri, 10 Aug 2007 21:07:51 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[About the Artist: Ralph Regenvanu, p. ix
Images
URIPIV ORAL TRADITION
The Story of the Eel, p. 357
told by Elder Mark of Emil Potun

ARTICLES
A Fishy Romance: Chiefly Power and the Geopolitics of Desire, p. 365
Heather E Young Leslie
What can ﬁsh stories tell us about how people live with the complexities of rapid environmental transformations and the local effects [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=146&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp192.gif" alt="TCP 19.2 cover image" hspace="5" align="right" /><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2lightner.html"><strong>About the Artist:</strong></a> Ralph Regenvanu, p. ix<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2images.html"><strong>Images</strong></a></p>
<h4>URIPIV ORAL TRADITION</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2mark01.html"><strong>The Story of the Eel</strong></a>, p. 357<br />
told by Elder Mark of Emil Potun</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/toc/images/pacific_islands.jpg"><strong></strong></a></p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2leslie.html"><strong>A Fishy Romance: Chiefly Power and the Geopolitics of Desire</strong></a>, p. 365<br />
Heather E Young Leslie</p>
<p><span id="more-146"></span>What can ﬁsh stories tell us about how people live with the complexities of rapid environmental transformations and the local effects of national, globalized, and neoliberal desires for resources? To answer this, I take the Tā‘atu ﬁsh harvesting ritual and accompanying oral narrative to be an “ecography” that addresses human intimacies and changes on a small atoll in Tonga. This type of analysis draws on traditional ecological, political, and sociological knowledge, as well as geography, history, and cultural symbols, to give a deeper understanding of place and the contemporary experience of people intimate with the local environment as source of food and livelihood. When examined in the light of today’s drastically depleted stocks of Paciﬁc pelagic ﬁshes such as skipjack tuna, the ecography of the Tā‘atu provides a benchmark for a shift in a human–ﬁsh relationship that provided Polynesians with practical and poetic sustenance for hundreds if not thousands of years. At the same time, the myth of the Tā‘atu highlights the historic political importance of desire, beauty, and their conﬂuence with bounty, in the production of generations of chieﬂy privilege and cultural practice. Imbricated with the shifts in human–ﬁsh and beauty–bounty relations are lessons for the contemporary chiefly–commoner relationship in Tonga, the last nation to claim status as an uninterrupted Polynesian kingdom, as well as laments for the loss of independence an important food resource offered. Today, as in the past, the Tā‘atu is a fishy tale about the geopolitics of various desires.<br />
<strong>Keywords:</strong> beauty, chiefs, ecography, environment, fishing, narrative, Tonga</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2hameiri.html"><strong>The Trouble with RAMSI: Reexamining the Roots of  Conﬂict in Solomon Islands </strong></a>, p. 409<br />
Shahar Hameiri</p>
<p>While the debate that has followed the intervention by the Regional Assistance Mission to the Solomon Islands (RAMSI) has centered on the suitability of the failed state label to Solomon Islands, I argue that this debate is misdirected because the concept of state failure itself is accepted uncritically. Examining what is meant by state failure is crucial, because (a) it has assumed an almost commonsensical mantle, which obscures its particular political and ideological underpinnings; and (b) it has considerable conceptual limitations that render it a problematic framework for explaining the roots and possible trajectories of the conﬂict in Solomon Islands. State failure is essentially a descriptive category with limited explanatory capacity, grounded in a depoliticized and a historical theorization of institutions, state, and society. At its core is an unhelpful preoccupation with state capacity as measured against a hypothetical legal-rational good-governance model. Conﬂicts are understood in this framework as the result of poor governance or recalcitrant social forces. RAMSI, consequently, has sought to strengthen the institutional capacity of Solomon Islands as the key to conﬂict resolution as well as a preventative long-term peace-building initiative. In contrast, I argue that unless we develop a clearer understanding of the causes and dynamics of conﬂict, RAMSI’s state-building approach is likely to exacerbate rather than alleviate tensions in Solomon Islands. This approach involves a shift in emphasis away from the current ﬁxation on institutional capacity audits associated with the failed state concept, toward a more constructive theorization of the historically contingent relationship between changing patterns of economic development and social conﬂict.<br />
<strong>Keywords:</strong> Solomon Islands, failed state, RAMSI, state capacity, conﬂict, governance, patronage</p>
<h4>URIPIV ORAL TRADITION</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2mark02.html"><strong>The Last Leserrkab on Uripiv</strong></a>, p. 443<br />
told by Elder Mark of Emil Potun</p>
<h4>DIALOGUE</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2otsuka.html"><strong>Making a Case for Tongan as an Endangered Language</strong></a>, p. 446<br />
Yuko Otsuka</p>
<p>This paper examines the sociolinguistic situation in Tonga and discusses its relevance to language maintenance in Polynesia. The environment surrounding Tongan is not visibly ominous: it is an ofﬁcial language of an independent state and is spoken by a sizable population in a predominantly monolingual community. Tongan represents an instance of language shift as a result of globalization, wherein a speech community voluntarily gives up its indigenous language(s) for another, more socioeconomically beneﬁcial language, in this case, English. The paper proposes that language endangerment should be understood in terms of a unit larger than the nation-state. This is particularly relevant in the Polynesian context, in which international borders are obscured by transnational migrants. The paper also discusses some positive roles the diasporic communities may potentially play in language maintenance.<br />
<strong>Keywords:</strong> Tongan, Polynesian, endangered languages, globalization, diaspora, language shift, language maintenance</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2gershon.html"><strong>Viewing Diasporas from the Pacific: What Pacific Ethnographies Offer Pacific Diaspora Studies</strong></a>,<br />
p. 474<br />
Ilana Gershon</p>
<p>This article explores what long-standing analytical traditions in Paciﬁc ethnographies can offer Paciﬁc diaspora studies. In particular, I advocate researchers’ reconceptualizing their unit of analysis when interrogating the relationships between families and diasporas, and argue that family networks fashion diasporas’ longevity and tangibility. Emphasizing families’ social organization encourages Paciﬁc diaspora studies to focus on how and when cultural differences have effects.<br />
<strong>Keywords:</strong> diaspora, migrants, networks, knowledge circulation, exchange, families</p>
<h4>URIPIV ORAL TRADITION</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2sukon.html"><strong>The Journey of the Dead</strong></a>, p. 505<br />
told by Chief Sukon of Emil Potnambe</p>
<h4>RESOURCES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2jolly.html"><strong>Imagining Oceania: Indigenous and Foreign Representations of a Sea of Islands</strong></a>, p. 508<br />
Margaret Jolly</p>
<p>This paper considers the relation of indigenous and foreign in how “the Paciﬁc” and the “Paciﬁc Rim” have been and are imagined. First, I ponder the power of cartography through the lens of two maps derived from the eighteenth century and speculate as to how such maps differed from indigenous genealogies of places and peoples. Second, I explore the origins and the lasting signiﬁcance of the partitioning of the Paciﬁc into the spatiotemporal regions of Polynesia, Melanesia, and Micronesia, and consider some indigenous uses of these foreign constructs. Third, I reﬂect on how academic and policy representations of the Paciﬁc “region” and “rim” have been shaped by geopolitical concerns and developmentalism starting in the 1970s, from the viewpoint of Australia (and in a more ﬂeeting way, the United States). Fourth, through a brief exegesis of the inﬂuential writings of Epeli Hau‘ofa, I consider his alternative vision of Oceania as a “sea of islands.” Finally, I confront the specter of new ethnological typiﬁcations derived from a reading of “roots” and “routes” as dichotomy rather than dialectic, and stress the need for refocusing on the relations and creative exchanges between Islanders living in and between region and rim.<br />
<strong>Keywords:</strong> Oceania, cartography, culture areas, Paciﬁc region, Paciﬁc Rim</p>
<h4>URIPIV ORAL TRADITION</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2kenneth.html"><strong>The Two Children Left Behind</strong></a>, p. 547<br />
told by Frank Kenneth of Emil Lowi</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong>The Region in Review: International Issues and Events, 2005-2006,</strong> p. 552<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2vonstrokirch.html">Karen von Strokirch</a></p>
<p><strong>Melanesia in Review: Issues and Events, 2006,</strong> p. 578<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2chappell.html">David Chappell</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2durutalo.html">Alumita L Durutalo</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2jowitt.html">Anita Jowitt</a>,<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2kabutaulaka01.html"> Louisa Kabutaulaka</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2kabutaulaka02.html">Tarcisius Tara Kabutaulaka</a></p>
<h4>URIPIV ORAL TRADITION</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2regenvanu.html"><strong>The Lebon Brothers</strong></a>, p. 615<br />
told by John Regenvanu of Emil Bweterial and Emil Periv</p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p618.pdf"><em>The Making of Global and Local Modernities in Melanesia: Humiliation, Transformation and the Nature of Culture Change</em></a>, edited by Joel Robbins and Holly Wardlow, p. 618<br />
Reviewed by Bruce Knauft</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p620.pdf"><em>Pacific Futures</em></a>, edited by Michael Powles, p. 620<br />
Reviewed by Anthony van Fossen</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p622.pdf"><em>Political Parties in the Pacific Islands</em></a>, edited by Roland Rich with Luke Hambly and Micheal G Morgan, p. 622<br />
Reviewed by Stephen Levine</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p624.pdf"><em>Globalization and the Re-Shaping of Christianity in the Pacific Islands</em></a>, edited by Manfred Ernst, p. 624<br />
Reviewed by John Barker</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p626.pdf"><em>Conservation Is Our Government Now: The Politics of Ecology in Papua New Guinea</em></a>, by Paige West, p. 626<br />
Reviewed by Alec Golub</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p628.pdf"><em>Rationales of Ownership: Transactions and Claims to Ownership in Contemporary Papua New Guinea</em></a>, edited by Lawrence Kalinoe and James Leach, p. 628<br />
Reviewed by Malia Talakai</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p630.pdf"><em>Social Discord and Bodily Disorder: Healing among the Yupno of Papua New Guinea</em></a>, by Verna Keck, p. 630<br />
Reviewed by Judith C Barker</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p632.pdf"><em>Les Javanais du Caillou, Des affres de l’exil aux aléas de l’intégration: Sociologie historique de la communauté indonésienne de Nouvelle Calédonie / The Javanese of the Rock: From the Hazards of Exile to the Hazards of  Integration</em></a>, by Jean Luc Maurer, in collaboration with Marcel Magi and with a contribution by Marie-Jo Siban, p. 632<br />
Reviewed by Jean-Louis Rallu</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p635.pdf"><em>Shifting Images of Identity in the Paciﬁc</em></a>, edited by Toon van Meijl and Jelle Miedema, p. 635<br />
Reviewed by Eric Silverman</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p638.pdf"><em>The People of the Sea: Environment, Identity, and History in Oceania</em></a>, by Paul D’Arcy, p. 638<br />
Reviewed by John Edward Terrell</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p640.pdf"><em>Borrowing: A Pacific Perspective</em></a>, edited by Jan Tent and Paul Geraghty, p. 640<br />
Reviewed by Uri Tadmor</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p644.pdf"><em>American Pacificism: Oceania in the US Imagination</em></a>, by Paul Lyons, p. 644<br />
Reviewed by Elizabeth DeLoughrey</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p646.pdf"><em>No Turning Back: A Memoir, by E T W Fulton</em></a>, edited by Elizabeth Fulton Thurston, p. 646<br />
Reviewed by Rob Hilliard</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p648.pdf"><em>One and a Half Pacific Islands / Teuana ao Teiterana n aba n Te Betebeke: Stories the Banaban People Tell of Themselves / I-Banaba Aika a Karakin oin Rongorongola</em></a>, edited by Jennifer Shennan and Makin Corrie Tekenimatang, p. 648<br />
Reviewed by Mary E Lawson Burke</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p651.pdf"><em>The Songmaker’s Chair</em></a>,  a play by Albert Wendt, p. 651<br />
Reviewed by Robert Sullivan</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p653.pdf"><em>Samoan Wedding and No. 2</em></a> [feature ﬁlms], p. 653<br />
Reviewed by Marata Tamaira</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp192p657.pdf"><em>Pacific Encounters: Art and Divinity in Polynesia, 1760 –1860</em></a><em> </em>[exhibition], p. 657<br />
Reviewed by Patricia Te Arapo Wallace</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.2contributors.html"><strong>CONTRIBUTORS</strong></a>, p. 663</p>
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		<title>The Contemporary Pacific, vol. 19, no. 1 (2007)</title>
		<link>http://uhpjournals.wordpress.com/2007/01/08/the-contemporary-pacific-vol-19-no-1-2007/</link>
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		<pubDate>Mon, 08 Jan 2007 20:12:18 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[About the Artist: Shigeyuki Kihara, vii
ARTICLES
Nemesis, Speaking, and Tauhi Vaha‘a: Interdisciplinarity and the Truth of “Mental Illness” in Vava‘u, Tonga
Michael Poltorak, 1
The people of Vava‘u, Tonga, manage to deal with most incidences of “mental illness” without resorting to institutionalization or overt stigmatization. The terms used to describe unusual behavior, though pejorative in the eyes of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=129&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1rosi.html"><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp191.gif" alt="TCP 19.1 cover image" hspace="5" width="151" height="216" align="right" />About the Artist:</a> Shigeyuki Kihara, vii</p>
<h4>ARTICLES</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1poltorak.html">Nemesis, Speaking, and <em>Tauhi Vaha‘a:</em> Interdisciplinarity and the Truth of “Mental Illness” in Vava‘u, Tonga</a></strong><br />
Michael Poltorak, 1</p>
<p><span id="more-129"></span>The people of Vava‘u, Tonga, manage to deal with most incidences of “mental illness” without resorting to institutionalization or overt stigmatization. The terms used to describe unusual behavior, though pejorative in the eyes of psychiatrist Dr Mapa Puloka, are contestable and negotiable. Through the creative use of a multiplicity of explanations, people have influence over the potential stigma to suffering relatives. People’s sensitivity to attributions of “mental illness” is born of Vavauan use of language to <em>tauhi vaha‘a</em> (evoke and intensify relatedness). This socially constitutive use of language contrasts with the referential language in much of the social science and medical literature that informs mental health policy. Revealing its origin in the experience of <em>vā</em> (relatedness) is key to creating an interdisciplinary space to discuss the late presentation of Tongans to mental health services in Tonga and New Zealand. This paper answers the widely recognized need for more qualitative, epistemologically sensitive, and interdisciplinary work on Tongan experience of mental illness through focusing on the particular case of an eccentric in Vava‘u known as ‘Ahiohio. As this man shares remarkable similarities with Manu (Epeli Hau‘ofa’s subversive mouthpiece of anti-absolutism), the responses to and theories of ‘Ahiohio’s behavior enable discussion on the contrast and effects of Vavauan and, more broadly, medical and positivist ideas of truth.<br />
<strong>Keywords:</strong> mental illness, Tonga, indigenous psychiatry, language ideologies, Pacific epistemologies, relatedness, modernity</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1mosko.html">Fashion as Fetish: The Agency of Modern Clothing and Traditional Body Decoration among North Mekeo of Papua New Guinea</a></strong><br />
Mark S Mosko, 39</p>
<p>Anthropologists and others have recently argued that Papua New Guineans’ contemporary patterns of consumption including Western clothing fashions have become critical components of commodification, modernization, globalization, and the creation of individualistic personal identities in alignment with the nationstate. This paper suggests, however, that among North Mekeo the contemporary adoption of Western clothing styles also embodies additional meanings continuous with preexisting indigenous practices having to do with ceremonial body decoration, courting, and love magic. Personal adornment with items of manufactured youth apparel (T-shirts, jeans, name-brand sneakers, knitted caps, etc) is nowadays regarded by villagers as ritually “hot,” or capable of changing people’s minds similarly to the decorations and love charms previously employed in the colorful ceremonial dress and dancing performed at the conclusion of mortuary feasts. The view of personhood, agency, and gift exchange supposedly distinctive to “traditional” Melanesian cultures (ie, the so-called “New Melanesian Ethnography”) is employed in a novel way to analyze the historical transformation of <em>bakai</em> ceremonial dress and display into the clothing styles and fashion of villagers today. North Mekeo ritual agency in both traditional and contemporary fashions is shown to consist in the exchange dynamics of “dividual” or “partible persons” involving bodily zones of inside, outside, outside-inverted, and insideeverted, analogous to Alfred Gell’s basic technical schema for Polynesian tattooing and armature (1993). This paper thus brings together for a wide circle of Pacific scholars some of the more innovative theoretical developments in Melanesian and Polynesian anthropology of recent decades, highlighting particularly their suitability for the analysis of historical change and transformation.<br />
<strong>Keywords:</strong> personhood, agency, clothing, fashion, ritual, commodification, change</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1connell.html">The <em>Fiji Times</em> and the Good Citizen: Constructing Modernity and Nationhood in Fiji</a></strong><br />
John Connell, 85</p>
<p>Constructing national identity has proved difficult in the Pacific, especially in Fiji where there are significant ethnic divisions. The “People” column in the <em>Fiji Times</em> has provided a populist focus on “good citizens” who have become successful, often in commerce. Such people have demonstrated values and directions such as hard work, training, education, initiative, and cooperation outside the nuclear family. Religious values have assisted, but “tradition” plays no role. Good citizens have achieved social mobility and often transgressed gender, geographical, and ethnic constraints. They constitute part of a new, modern, moral economy and social space that provides the basis for a modern nation where history and ethnicity have limited place.<br />
<strong>Keywords:</strong> Fiji, media, citizenship, modernity, morality, nationality</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1firth.html">Pacific Islands Trade, Labor, and Security in an Era of Globalization</a></strong><br />
Stewart Firth, 111</p>
<p>Globalization is having its most transformative effects in the Pacific in three areas of economic and political life: trade, labor, and security. The global move from protection to free trade has reached the Pacific and will have its greatest initial impact on Fiji’s sugar and garment industries, both of which face major restructuring and possibly extinction. Within ten years, the Pacific Plan might also create economic integration within the entire Pacific Islands Forum area, though the free movement of labor from the Islands into Australia and New Zealand seems unlikely. Thanks in large part to the war in Iraq, Fiji has now joined Sämoa and Tonga as a remittance economy, but Papua New Guinea, Solomon Islands, and Vanuatu have little access to remittance income. Globalization in Solomon Islands has taken the form of unregulated investment in tropical logging, which has contributed to corrupting the political system. The consequence is regional intervention led by Australia, which is also attempting to shore up Papua New Guinea, where the government’s priorities are influenced by its heavy dependence on foreign investors in resource projects. Globalization will probably widen inequalities throughout the Pacific, and some countries will benefit more than others. Cultural, historical, and demographic circumstances at the receiving end of globalization in the Island states of the Pacific play determining roles in whether the process has positive or negative consequences.<br />
<strong>Keywords:</strong> globalization, trade, labor, security, sugar, garments, logging</p>
<h4>DIALOGUE</h4>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1kauanui.html">Diasporic Deracination and “Off-Island” Hawaiians</a></strong><br />
J Kēhaulani Kauanui, 138</p>
<p><strong><a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1lindstrom.html">Survivor Vanuatu: Myths of Matriarchy Revisited</a></strong><br />
Lamont Lindstrom, 162</p>
<h4>POLITICAL REVIEWS</h4>
<p>Micronesia in Review (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1haglelgam.html">Federated States</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1marsh01.html">Guam</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1mcphetres.html">Northern Marianas</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1shuster.html">Palau</a>): Issues and Events, 1 July 2005 to 30 June 2006<br />
John R Haglelgam, Kelly G Marsh, Samuel F McPhetres, Donald R Shuster, 178</p>
<p>Polynesia in Review (<a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1jonassen.html">Cook Islands</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1gonschor01.html">French Polynesia</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1losch.html">Hawaiian Issues</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1mutu.html">Māori Issues</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1gonschor02.html">Rapa Nui</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1vaa.html">Sāmoa</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1kalolo.html">Tokelau</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1leslie.html">Tonga</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1taafaki.html">Tuvalu</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v019/19.1angleviel.html">Wallis and Futuna</a>): Issues and Events, 1 July 2005 to 30 June 2006<br />
Frédéric Angleviel, Lorenz Gonschor, Jon Tikivanotau M Jonassen, Kelihiano Kalolo, Tracie Ku‘uipo Cummings Losch, Margaret Mutu, Tauaasa Taafaki, Unasa L F Va‘a, Heather E Young Leslie, 207</p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p294.pdf">Five Takes on Climate and Cultural Change in Tuvalu</a><br />
<em>The Disappearing of Tuvalu: Trouble in Paradise; Paradise Drowned: Tuvalu, The Disappearing Nation; Tuvalu: That Sinking Feeling; Before the Flood;</em> and <em>Time and Tide</em> [videos]<br />
Feature Review by Anne Chambers and Keith S Chambers, 294</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p306.pdf">The Land Has Eyes: Pear ta ma ‘on maf</a></em> [feature film]<br />
Reviewed by Selina Tusitala Marsh, 306</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p308.pdf">Pacific Regional Order</a>,</em> by Dave Peebles; <em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p308.pdf">Pacific Islands Regional Integration and Governance</a>,</em> edited by Satish Chand<br />
Reviewed by Roderic Alley, 308</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p313.pdf">Bougainville: Before the Conflict</a>,</em> edited by Anthony J Regan and Helga M Griffin<br />
Reviewed by Donald Denoon, 313</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p315.pdf">Ce souffle venu des ancêtres &#8230; L’oeuvre politique de Jean-Marie Tjibaou (1936–1989)</a>,</em> by Hamid Mokaddem<br />
Reviewed by Eric Waddell, 315</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p318.pdf">The Sweet Potato in Oceania: A Reappraisal</a>,</em> edited by Chris Ballard, Paula Brown, R Michael Bourke, and Tracey Harwood<br />
Reviewed by William C Clarke, 318</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p322.pdf">Island at the End of the World: The Turbulent History of Easter Island</a>,</em> by Steven Roger Fischer<br />
Reviewed by Paul Rainbird, 322</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p323.pdf">“First Contacts” in Polynesia: The Samoan Case (1722–1848); Western Misunderstandings about Sexuality and Divinity</a>,</em> by Serge Tcherkézoff<br />
Reviewed by Paul Shankman, 323</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p325.pdf">Island of Angels: The Growth of the Church on Kosrae / Kapkapak lun Church fin acn Kosrae, 1852–2002</a>,</em> by Elden M Buck<br />
Reviewed by James Peoples, 325</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p327.pdf">Vision and Reality in Pacific Religion: Essays in Honour of Niel Gunson</a>,</em> edited by Phyllis Herda, Michael Reilly, and David Hilliard<br />
Reviewed by Robert Tonkinson, 327</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p330.pdf">Decolonising the Mind: The Impact of the University on Culture and Identity in Papua New Guinea, 1971–1974</a>,</em> by Ulli Beier<br />
Reviewed by Steven Edmund Winduo, 330</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p332.pdf">Savannah Flames: Papua New Guinean Journal of Literature, Language and Culture</a>,</em> Volume 5, edited by Steven Edmund Winduo<br />
Reviewed by Reina Whaitiri, 332</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p334.pdf">Expressive Genres and Historical Change: Indonesia, Papua New Guinea and Taiwan</a>,</em> edited by Pamela J Stewart and Andrew Strathern<br />
Reviewed by Ruth Finnegan, 334</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p337.pdf">Hiapo: Past and Present in Niuean Barkcloth</a>,</em> by John Pule and Nicholas Thomas<br />
Reviewed by Lissant Bolton, 337</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p339.pdf">Tattoo: Bodies, Art, and Exchange in the Pacific and the West</a>,</em> edited by Nicholas Thomas, Anna Cole, and Bronwen Douglas<br />
Reviewed by April K Henderson, 339</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p341.pdf">Life in the Pacific of the 1700s: The Cook/Forster Collection of the George August University of Göttingen</a> [exhibit]<br />
Reviewed by Ivy Hali‘imaile Andrade, Maile T Drake, and Karen K Kosasa, 341</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp191p345.pdf">Jolika Collection of New Guinea Art, de Young Museum</a> [exhibit]<br />
Reviewed by Margaret Mackenzie, 345</p>
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		<title>The Contemporary Pacific, vol. 18, no. 2 (2006): Melanesian Mining</title>
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		<pubDate>Sat, 08 Jul 2006 20:03:03 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[SPECIAL ISSUE: Melanesian Mining Modernities: Past, Present, and Future
Guest Editors: Paige West and Martha Macintyre
About the Artist: Larry Santana, p.  ix
Images
ARTICLES
Grass Roots and Deep Holes: Community Responses to Mining in Melanesia, p. 215
Colin Filer and Martha Macintyre
This introduction contextualizes the discussion of community responses to mining in Melanesia by looking first at the policies [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=128&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><h3>SPECIAL ISSUE: Melanesian Mining Modernities: Past, Present, and Future<br />
Guest Editors: Paige West and Martha Macintyre</h3>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2rosi.html"><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp182.gif" alt="TCP 18.2 cover image" align="right" height="216" hspace="5" width="151" /><strong>About the Artist:</strong></a> Larry Santana, p.  ix<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2images.html"><strong>Images</strong></a></p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2filer.html"><strong>Grass Roots and Deep Holes: Community Responses to Mining in Melanesia</strong></a>, p. 215<br />
Colin Filer and Martha Macintyre</p>
<p><span id="more-128"></span>This introduction contextualizes the discussion of community responses to mining in Melanesia by looking first at the policies of minerals extraction and the shift of academic interest from economic development to the social effects of mining. As this collection concentrates on Papua New Guinea, an analysis of the sector and its problems in that country is briefly contrasted with the situation in other Pacific Island nations, canvassing the idea that the economic “resource curse” might have a social dimension. The varying interpretations of local impact and anthropological studies have challenged notions of unified interest or consensus at the local level, revealing ambivalence and contradictions. An overview of the contributions made in this special issue to current debates about stakeholder interests and economic sustainability is presented, showing that understandings of mining and its social consequences at each stage of the process are always inflected by the cultural conceptions of change, wealth, and resources that obtain in a community.<br />
<strong>Keywords:</strong> mining, Melanesia, Papua New Guinea, minerals policy, social change</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2jorgensen.html"><strong>Hinterland History: The Ok Tedi Mine and Its Cultural Consequences in Telefolmin</strong></a>, p. 233<br />
Dan Jorgensen</p>
<p>Much of the literature on mining in Papua New Guinea is concerned with the politics of landowner compensation. In the case of the Ok Tedi mine, attention has focused largely on claims for downstream ecological damage and the ensuing settlement on behalf of people living along the Lower Ok Tedi. Like all major mines, however, Ok Tedi has produced a series of large-scale ripple effects throughout the surrounding region, both downstream and upstream. In this article I explore two decades of mine-related transformations among Telefolmin, one of several groups of Min people who are a major source of labor for the Ok Tedi mine. I argue that Ok Tedi provides Telefolmin with the ability to realize a particular form of modernity. For Telefolmin, however, this modernity is rendered insecure by their hinterland status and the prospect of mine closure, sharpening fears that the Telefol experience of modernity may be a fleeting one.<br />
<strong>Keywords:</strong> mining, Ok Tedi, Papua New Guinea, regional history, Telefolmin, mine closure</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2golub01.html"><strong>Who Is the “Original Affluent Society”? Ipili “Predatory Expansion” and the Porgera Gold Mine, Papua New Guinea</strong></a>, p. 265<br />
Alex Golub</p>
<p>The idea of the “ecologically noble savage” once linked environmental activists and indigenous people. Today the concept is increasingly seen as problematic. In the Porgera district of Enga Province, Papua New Guinea, Ipili people confront massive social change brought about by the presence of a large gold mine. This paper explores how Ipili people find some aspects of global consumer culture to offer utopian possibilities for change, while others present dystopic inversions of their own culture. In doing so, it compares Western attempts to understand Ipili as noble or ignoble savages with Ipili attempts to make sense of the material culture and mores of outsiders. It concludes that both Ipili and westerners have unsettling insights into each other’s culture.<br />
<strong>Keywords:</strong> Porgera, Enga, Papua New Guinea, mining, affluent society, consumerism, utopia</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2west.html"><strong>Environmental Conservation and Mining: Between Experience and Expectation in the Eastern Highlands of Papua New Guinea</strong></a>, p. 295<br />
Paige West</p>
<p>Since the 1970s the residents of Maimafu village, a rural settlement in the Eastern Highlands of Papua New Guinea, have been affected by both an environmental conservation project and a series of gold mining explorations on their lands. The paper examines this history of conservation and mining and shows how residents of Maimafu have struggled to interpret the promises made by ecologists and miners. Using stories about a mining study tour some residents took to the Porgera mine, the paper also discusses how people come to imagine what their future might look like if mining begins taking place on their lands.<br />
<strong>Keywords:</strong> Papua New Guinea, Porgera, Maimafu, mining, conservation, development, expectations</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2imbun.html"><strong>Local Laborers in Papua New Guinea Mining: Attracted or Compelled to Work?</strong></a>, p. 315<br />
Benedict Y Imbun</p>
<p>This paper examines Papua New Guinean participation in mining from the perspective of furnishing labor. It throws light not just on current employment arrangements but also on the historical emergence of the local miner and wider canvas of age-old attitudes and traditions influencing workers’ perspectives on work. Analysis of a variety of data collected through interviews, document analysis, and direct observations of a number of events in Porgera and other mines indicate that Papua New Guinean mine workers are in a transitional phase of becoming full-fledged workers. Many of the current challenges stem from the recent introduction of capitalism into the previously predominantly subsistence sector. However, there is sufficient evidence to suggest that local mine workers are becoming more attached to paid work and this attitude is embraced by an increasing number of educated and skilled workers. This trend is set to continue as more mines become operational and as the country in general develops economically.<br />
<strong>Keywords:</strong> Papua New Guinea, labor, mining, mine workers, industrial relations</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2halvaksz.html"><strong>Cannibalistic Imaginaries: Mining the Natural and Social Body in Papua New Guinea</strong></a>, p. 335<br />
Jamon Halvaksz</p>
<p>The history of Wau township in Morobe Province, Papua New Guinea, is intimately linked with the development of gold mining throughout the region. The site of a series of gold rushes in the 1920s, Wau emerged as an early administrative outpost, a town complete with all the trappings of frontier Australian communities. In recent years, Wau has declined, and the Biangai communities reflect on this decline in ways that manipulate both the early colonial discourses and their own. Central to these discussions are images of cannibalism, as the consumption of both living flesh and ancestral landscapes. In this paper I examine the gold rush, how early prospectors conceptualized the colonial project, and what Wau’s subsequent decline has meant to the Biangai who now pursue new mining opportunities. I trace these events and perspectives through historical and present-day discourses. Throughout, a fascination with mountains, gold, and “cannibals” is prominent, with Wau emerging out of struggles to conquer these elements of the landscape. Cannibalism remains a pervasive theme in contemporary Biangai discourses as they now try to recreate an era of successful gold mining and community life in and around Wau by overcoming many of the same elements. However, the moral terrain between consuming flesh, consuming land, and consuming gold are differently deployed in order to explain success and failure, and to imagine the nation.<br />
<strong>Keywords:</strong> gold mining, cannibalism, cosmology, colonialism, first contact, Papua New Guinea, Biangai</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2ali.html"><strong>The Ecology and Economy of Indigenous Resistance: Divergent Perspectives on Mining in New Caledonia</strong></a>, p. 361<br />
Saleem H Ali and Andrew Singh Grewal</p>
<p>Mineral development in remote parts of the world has become a major focus of environmental and social resistance movements. Despite the economic benefits that may accrue for local people, the impact of such projects is increasingly being questioned, particularly by indigenous communities. However, there are ways by which amicable and effective resolutions to development disagreements can be achieved despite cultural differences between the developer and the community. Using qualitative research methods, this article presents a comparative analysis of two mining projects on the Pacific island of New Caledonia where the indigenous Kanak community has shown differentiation in their response to the two projects. Our analysis shows that the project encountering less resistance has more effectively embraced principles of transparency, flexibility, and indigenous ownership. Our analysis suggests that mineral developers operating on indigenous lands should consider the power of process in reaching agreements rather than erroneously assuming that litigation or buyouts are inevitable. Such an approach is likely to reach more sustainable solutions to development in remote indigenous communities.<br />
<strong>Keywords:</strong> New Caledonia, nickel mining, smelting, decolonization, Kanak, inco, Falconbridge</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong>Melanesia in Review: Issues and Events, 2005,</strong> p. 395<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2chappell01.html">David Chappell</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2durutalo.html">Alumita L Durutalo</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2gelu.html">Alphonse Gelu</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2jowitt.html">Anita Jowitt</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2kabutaulaka.html">Tarcisius Tara Kabutaulaka</a></p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p442.pdf"><em>The Manipulation of Custom: From Uprising to Intervention in the Solomon Islands</em></a>, by Jon Fraenkel, and <a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p442.pdf"><em>Happy Isles in Crisis: The Historical Causes for a Failing State in Solomon Islands, 1988–2004</em></a>, by Clive Moore, p. 442<br />
Reviewed by Rhys Richards</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p444.pdf"><em>The Unseen City: Anthropological Perspectives on Port Moresby, Papua New Guinea</em></a>, by Michael Goddard, p. 444<br />
Reviewed by Keith Barber</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p447.pdf"><em>Sovereignty under Siege? Globalization and New Zealand</em></a>, edited by Robert Patman and Chris Rudd, p. 447<br />
Reviewed by Roderic Alley</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p449.pdf"><em>Mining and Indigenous Lifeworlds in Australia and Papua New Guinea</em></a>, edited by Alan Rumsey and James Weiner, p. 449<br />
Reviewed by Alex Golub</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p451.pdf"><em>Colonial Dis-Ease: US Navy Health Policies and the Chamorros of Guam, 1898–1941</em></a>, by Anne Perez Hattori, p. 451<br />
Reviewed by Laurel A Monnig</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p453.pdf"><em>Life in the Republic of the Marshall Islands / Mour ilo Republic eo an Majol</em></a>, written by Marshall Islanders and edited by Anono Lieom Loeak, Veronica C Kiluwe,and Linda Crowl, p. 453<br />
Reviewed by Hilda Heine and Julianne Walsh Kroeker</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p456.pdf"><em>Historiographie de la Nouvelle-Calédonie</em></a>, by Frédéric Angleviel, p. 456<br />
Reviewed by David Chappell</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p459.pdf"><em>The Aborigines of Taiwan: The Puyuma; From Head-hunting to the Modern World</em></a>, by Josiane Cauquelin, p. 459<br />
Reviewed by Serge Dunis</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p461.pdf"><em>Postcolonial Pacific Writing: Representations of the Body</em></a>, by Michelle Keown, p. 461<br />
Reviewed by Paul Lyons</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p464.pdf"><em>Tu: A Novel</em></a>, by Patricia Grace, p. 464<br />
Reviewed by Elizabeth DeLoughrey</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p466.pdf"><em>Voice Carried My Family</em></a>, by Robert Sullivan, p. 466<br />
Reviewed by Selina Tusitala Marsh</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p469.pdf"><em>Sing-song</em></a>, by Anne Kennedy, p. 469<br />
Reviewed by Cynthia Franklin</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p471.pdf"><em>Theatre and Political Process: Staging Identities in Tokelau and New Zealand</em></a>, by Ingjerd Ho‘m, p. 471<br />
Reviewed by Markus Wessendorf</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p473.pdf"><em>Pacific Jewelry and Adornment</em></a>, by Roger Neich and Fuli Pereira, p. 473<br />
Reviewed by Donald H Rubinstein</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p476.pdf">American Memorial Park Visitor Center and WWII Exhibit Hall, National Park Service</a>, p. 476<br />
Reviewed by Tammy Duchesne</p>
<p><a href="http://www.uhpress.hawaii.edu/journals/cp/cp182p480.pdf">Adorning the World: Art of the Marquesas Islands [exhibit]</a>, p. 480<br />
Reviewed by Haidy Geismar</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.2contributors.html"><strong>CONTRIBUTORS</strong></a>, p. 485</p>
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		<title>The Contemporary Pacific, vol. 18, no. 1 (2006)</title>
		<link>http://uhpjournals.wordpress.com/2006/01/08/the-contemporary-pacific-vol-18-no-1-2006/</link>
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		<pubDate>Sun, 08 Jan 2006 19:59:57 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[About the Artist: Albert Wendt, p.  vii
Images
ARTICLES
“Got Race?” The Production of Haole and the Distortion of Indigeneity in the Rice Decision, p. 1
Judy Rohrer
This paper is part of a larger project that explores haole (white people, foreigners) as a colonial form of whiteness in Hawai‘i—as a dynamic social assemblage. Haole was forged and reforged [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=127&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1wendt.html"><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp181.gif" alt="TCP 18.1 cover image" align="right" height="216" hspace="5" width="151" /><strong>About the Artist:</strong></a> Albert Wendt, p.  vii<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1images.html"><strong>Images</strong></a></p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1rohrer.html"><strong>“Got Race?” The Production of Haole and the Distortion of Indigeneity in the <em>Rice</em> Decision</strong></a>, p. 1<br />
Judy Rohrer</p>
<p><span id="more-127"></span>This paper is part of a larger project that explores haole (white people, foreigners) as a colonial form of whiteness in Hawai‘i—as a dynamic social assemblage. Haole was forged and reforged in over two centuries of colonization, and it must be understood through that history. I use the recent Supreme Court decision in <em>Harold F Rice v Benjamin J Cayetano, </em>528 US 495 (2000), as an entry point into the interrogation of haole. Framed by the dominant discourse, the case appeared to be about Native Hawaiians (asking questions about who they are and what rights they have), and not about haole (assuming there are no questions as to who they are and what rights they have).<br />
The <em>Rice </em>case illustrates how Western law renders indigenous claims inarticulable by racializing native peoples, while simultaneously normalizing white subjectivity by insisting on a color-blind ideology. The inherent contradiction in these two positions—race matters /race does not matter—is played out in the frictions surrounding the <em>Rice </em>decision and is evidence of the cracks in the hegemony of Western law that complicate any easy binary of colonizer–colonized. Through an analysis of <em>Rice</em>, I explore how the Western legal framework is set up to accept the teleological narrative of the development, to problematize native identity, and to naturalize white subjectivity. I then broaden the lens to explore the ways <em>Rice </em>points to an epistemological disconnect between Western notions of the production of knowledge and indigenous articulations of the same.<br />
<strong>Keywords:</strong> indigeneity, whiteness, colonization, Hawai‘i, law, critical race theory</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1wood.html"><strong>Three Competing Research Perspectives for Oceania</strong></a>, p. 33<br />
Houston Wood</p>
<p>Three research perspectives are currently competing in Oceania. A disciplinebased perspective still dominates, though ever fewer people believe that disciplines produce superior forms of knowledge. An alternative, interpretation-based perspective is becoming more prominent, but this approach relies on confusing and contradictory claims about how interpretations connect to concrete activities. A practice-based approach seems better able to promote diversity and place-based autonomies in Oceania. Research that focuses on practices avoids the universalizing claims of discipline-based research. By treating cultures as dynamic repertoires of practices, a practice-based approach integrates interpretive and noninterpretive activities within a single research frame. Examples from many researchers, including Epeli Hau‘ofa and Ty Kawika Tengan, illustrate the benefits of a practice-based approach.<br />
<strong>Keywords:</strong> disciplines, Oceania, Pacific studies, practices, research</p>
<h4>DIALOGUE</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1hereniko.html"><strong>Interview with Albert Wendt: Art, Writing, and the Creative Process</strong></a>, p. 59<br />
Vilsoni Hereniko</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1teaiwa01.html"><strong>On Analogies: Rethinking the Pacific in a Global Context</strong></a>, p. 71<br />
Teresia K Teaiwa</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1kluge.html"><strong>Saipan: From Then to Now</strong></a>, p. 89<br />
P F Kluge</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong>Micronesia in Review: Issues and Events, 1 July 2004 to 30 June 2005,</strong> p. 104<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1marsh.html">Kelly G Marsh</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1mcphetres.html">Samuel F McPhetres</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1shuster.html">Donald R Shuster</a></p>
<p><strong>Polynesia in Review: Issues and Events, 1 July 2004 to 30 June 2005,</strong> p. 128<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1angleviel.html">Frédéric Angleviel</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1gonschor.html">Lorenz Gonschor</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1jonassen.html">Jon Tikivanotau M Jonassen</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1losch.html">Tracie Ku‘uipo Cummings Losch</a></p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p154.pdf">Aloha Betrayed:</a> Native Hawaiian Resistance to American Colonialism, </em>p. 154<br />
Review Forum by Lyn Carter, Sally Engle Merry, and Jonathan Friedman, with a Response by Noenoe K Silva</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p171.pdf">Creative Land:</a> Place and Procreation on the Rai Coast of Papua New Guinea, </em>by James Leach, p. 171<br />
Reviewed by Joel Robbins</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p176.pdf">Remembering Papua New Guinea:</a> An Eccentric Ethnography, </em>by William C Clarke, p. 176<br />
Reviewed by Dan Jorgensen</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p178.pdf">News Zero:</a> The New York Times and the Bomb, </em>by Beverly Ann Deepe Keever, p. 178<br />
Reviewed by Robert C Kiste</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p182.pdf">The Secret Guam Study:</a> How President Ford’s 1975 Approval of Commonwealth Was Blocked by Federal Officials, </em>by Howard P Willens with Dirk A Ballendorf, p. 182<br />
Reviewed by Robert C Kiste</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p185.pdf">L’art des échanges:</a> Penser le lien sociale chez les Sulka (Papouasie Nouvelle-Guinée), </em>by Monique Jeudy-Ballini, p. 185<br />
Reviewed by Marta Rohatynskyj</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p188.pdf">Approches autour de culture et nature dans le Pacifique Sud,</a> </em>edited by Hamid Mokaddem, p. 188<br />
Reviewed by Elise Huffer</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p191.pdf">L’oeil du Père Rouel:</a> Autour d’une série de photographies d’Alphonse Rouel en Nouvelle-Calédonie (1913–1969), </em>by Hamid Mokaddem, p. 191<br />
Reviewed by Emmanuelle Crane</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p193.pdf">Insularités:</a> Hommage à Henri Lavondès, </em>edited by Alain Babadzan, p. 193<br />
Reviewed by Serge Dunis</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p196.pdf">Atlas of the Pacific Islands,</a> </em>by Max Quanchi, p. 196<br />
Reviewed by James O Juvik and Sonia P Juvik</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p197.pdf">The Captain Cook Encyclopaedia,</a> </em>written and edited by John Robson, p. 197<br />
Reviewed by Brian Richardson</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p200.pdf">Na Kkai Taku:</a> Taku’s Musical Fables,</em> collected by Richard M Moyle, p. 200<br />
Reviewed by Denis Crowdy</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p202.pdf">Stolen Worlds:</a> Fujindian Fragments, </em>edited by Kavita Ivy Nandan, p. 202<br />
Reviewed by Leslie Butt</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p204.pdf">Waa in Storms,</a> </em>by Teweiariki Teaero, p. 204<br />
Reviewed by Katerina Martina Teaiwa</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp181p207.pdf">Mauna Kea:</a> Temple Under Siege</em> (documentary film), p. 207<br />
Reviewed by Georganne Nordstrom</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v018/18.1contributors.html"><strong>CONTRIBUTORS</strong></a>, p. 211</p>
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		<title>The Contemporary Pacific, vol. 17, no. 2 (2005)</title>
		<link>http://uhpjournals.wordpress.com/2005/07/08/the-contemporary-pacific-vol-17-no-2-2005/</link>
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		<pubDate>Fri, 08 Jul 2005 19:55:06 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[
About the Artist: Ric R. Castro, p.  ix
Images
ARTICLES
Australian Foreign Policy and the RAMSI Intervention in Solomon Islands, p. 283
Tarcisius Tara Kabutaulaka
The Australian government’s decision to lead a Pacific Islands Forum regional intervention into Solomon Islands marked a dramatic change in Australian policy toward the Solomons in particular and the Pacific Islands region in general. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=126&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><a href="http://muse.jhu.edu/journals/contemporary_pacific/toc/images/pacific_islands.jpg"><img src="http://www.uhpress.hawaii.edu/journals/cp/cp172.gif" alt="TCP 17.2 cover image" hspace="5" width="151" height="216" align="right" /></a></p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2castro.html"><strong>About the Artist:</strong></a> Ric R. Castro, p.  ix<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2images.html"><strong>Images</strong></a></p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2kabutaulaka.html"><strong>Australian Foreign Policy and the RAMSI Intervention in Solomon Islands</strong></a>, p. 283<br />
Tarcisius Tara Kabutaulaka</p>
<p><span id="more-126"></span>The Australian government’s decision to lead a Pacific Islands Forum regional intervention into Solomon Islands marked a dramatic change in Australian policy toward the Solomons in particular and the Pacific Islands region in general. It demonstrated Australia’s willingness to play a more assertive role in the domestic affairs of Pacific countries. The decision also reflected fundamental changes in the global security environment following the 11 September 2001 attacks on the United States and the perception that international terrorism has made it difficult to separate external and internal security. Canberra was influenced by the idea that terrorists could use “failed states” to pose security problems for Australia (and other western countries). While Australia’s concerns about its own security as well as the influence of Anglo-American security policies have led the Regional Assistance Mission to Solomon Islands to concentrate on rebuilding the Solomon Islands state, this paper argues that the post-conflict nation building process must include other institutions besides the state—such as churches, community leaders, nongovernmental organizations, women’s groups—that already have an influence on society. This is particularly important for Solomon Islands, a country where there have always been multiple centers of power, with the state not always the most important. Further, post-conflict nation building must also involve the mending and rebuilding of relationships between peoples while ensuring that foreign assistance does not create a culture of dependency.<br />
<strong>Keywords:</strong> conflict, peace, intervention, development, security, terrorism, leadership</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2huffer.html"><strong>Beyond Governance in Samoa: Understanding Samoan Political Thought</strong></a>, p. 311<br />
Elise Huffer and Asofou So‘o</p>
<p>In the Samoan polity today, the indigenous institution of the <em>matai</em> (chiefs) continues to play a pivotal role in governance. In determining leadership, the <em>fa‘asamoa</em> (Samoan way) and the <em>fa‘amatai</em> (way of the chiefs) are the most influential factors. Yet this has not prevented Samoa from experiencing governance problems found in other countries of the region, although perhaps on a lesser scale: misunderstanding, frustration, alienation, migration, discrimination, malpractice, patronage, and violence. Reasons for this may be (1) a lack of correspondence between <em>fa‘asamoa</em> and liberal democracy; (2) a lack of general understanding and critical assessment of the principles of liberal democracy in Samoa; (3) a combination of misuse, abuse, or misunderstanding of <em>fa‘asamoa;</em> and (4) a lack of publicity and critical assessment of the principles of <em>fa‘asamoa.</em> This paper examines aspects of these four characteristics of the Samoan polity and looks at ways of reassessing governance. It draws on literature that deals with some of the main features of Samoan political thought, as well as on discussions with Samoan scholars and thinkers. This introduction to a different approach to Samoan governance also briefly reviews some of the political forces and tensions at play in Samoa to show how they impact current political conceptualization.<br />
<strong>Keywords: </strong>Samoa, democracy, <em>fa‘amatai, fa‘asamoa,</em> political thought, philosophy, governance</p>
<h4>DIALOGUE I: Reflections on Nuclear Testing in the South Pacific, edited by David Chappell</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2chappell01.html"><strong>In Quest of Dialogue on a “Hot” Subject</strong></a>, p. 336<br />
David Chappell</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2regnault01.html"><strong>The Nuclear Issue in the South Pacific: Labor Parties, Trade Union Movements, and Pacific Island Churches in International Relations</strong></a>, p. 339<br />
Jean-Marc Regnault</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2firth.html"><strong>A Comment on “The Nuclear Issue in the South Pacific”</strong></a>, p. 359<br />
Stewart Firth</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2maclellan.html"><strong>The Nuclear Age in the Pacific Islands</strong></a>, p. 363<br />
Nic Maclellan</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2barrillot.html"><strong>Response to Regnault</strong></a>, p. 373<br />
Bruno Barrillot and John Taroanui Doom</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2tetiarahi.html"><strong>French Nuclear Testing in the South Pacific, or When France Makes Light of Its Duty to Remember</strong></a> p. 378<br />
Gabriel Tetiarahi</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2regnault02.html"><strong>Reply</strong></a>, p. 382<br />
Jean-Marc Regnault</p>
<h4>DIALOGUE 2</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2cilano.html"><strong>Of Blood and of the Heart: An Interview with Georgia Ka‘apuni McMillen</strong></a>, p. 387<br />
Cara Cilano</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2hall.html"><strong>“Hawaiian at Heart” and Other Fictions</strong></a>, p. 404<br />
Lisa Kahaleole Hall</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong>The Region in Review: International Issues and Events, 2004,</strong> p. 416<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2strokirch.html">Karin von Strokirch</a></p>
<p><strong>Melanesia in Review: Issues and Events, 2004,</strong> p. 435<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2chappell02.html">David Chappell</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2jowitt.html">Anita Jowitt</a>, and <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2timmer.html">Jaap Timmer</a></p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p466.pdf">Becoming Sinners:</a> Christianity and Moral Torment in a Papua New Guinea Society, </em>by Joel Robbin, p. 466<br />
Reviewed by Mary N MacDonald</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p468.pdf">Maori Times, Maori Places:</a> Prophetic Histories, </em>by Karen Sinclair, p. 468<br />
Reviewed by Toon van Meijl</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p470.pdf">Cargo, Cult, and Culture Critique,</a> </em>edited by Holger Jebens, p. 470<br />
Reviewed by Michael French Smith</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p473.pdf">Landscape, Memory and History:</a> Anthropological Perspectives, </em>edited by Pamela J Stewart and Andrew Strathern, p. 473<br />
Reviewed by Jamon Halvaksz</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p475.pdf">Bittersweet:</a> The Indo-Fijian Experience, </em>edited by Brij V Lal, p. 475<br />
Reviewed by Max Quanchi</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p478.pdf">Pacific Places, Pacific Histories:</a> Essays in Honor of Robert C Kiste, </em>edited by Brij V Lal, p. 478<br />
Reviewed by Anne Hattori</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p480.pdf">New Guinea:</a> Crossing Boundaries and History, </em>by Clive Moore, p. 480<br />
Reviewed by Larry M Lake</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p482.pdf">Worlds Apart:</a> A History of the Pacific Islands, </em>by I C Campbell, p. 482<br />
Reviewed by John Cole</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p485.pdf">The Archaeology of Micronesia,</a> </em>by Paul Rainbird, p. 485<br />
Reviewed by Ross Cordy</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p487.pdf">Wartime Japanese Anthropology in Asia and the Pacific,</a> </em>edited by Akitoshi Shimizu and Jan van Bremen, p. 487<br />
Reviewed by Dirk Anthony Ballendorf</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p489.pdf">Namoluk Beyond the Reef:</a> The Transformation of a Micronesian Community, </em>by Mac Marshall, p. 489<br />
Reviewed by Unasa L F Va‘a</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p491.pdf">Under Heaven’s Brow:</a> Pre-Christian Religious Tradition in Chuuk,</em> by Ward H Goodenough, p. 491<br />
Reviewed by Ted Lowe</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p494.pdf">Conceiving Cultures:</a> Reproducing People and Places on Nuakata, Papua New Guinea, </em>by Shelley Mallett, p. 494<br />
Reviewed by Leslie Butt</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p497.pdf">Exchanging the Past:</a> A Rainforest World of Before and After, </em>by Bruce M Knauft, p. 497<br />
Reviewed by Thomas Ernst</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p499.pdf">Identity and Development:</a> Tongan Culture, Agriculture, and the Perenniality of the Gift,</em> by Paul van der Grijp, p. 499<br />
Reviewed by Mike Evans</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p501.pdf">Anuta:</a> Polynesian Lifeways for the 21t Century, </em>by Richard Feinberg, p. 501<br />
Reviewed by Torben Monberg</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p502.pdf">Re-Thinking Vanuatu Education Together,</a> </em>edited by Kabini Sanga, John Niroa, Kalmele Matai, and Linda Crowl, p. 502<br />
Reviewed by Karen Ann Watson-Gegeo</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p505.pdf">Pacific Art:</a> Persistence, Change and Meaning, </em>edited by Anita Herle, Nick Stanley, Karen Stevenson, and Robert L Welsch, p. 505<br />
Reviewed by Jacob Love</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p507.pdf">The Time at Darwin’s Reef:</a> Poetic Explorations in Anthropology and History, </em>by Ivan Brady, p. 507<br />
Reviewed by Klaus Neumann</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p510.pdf">Kau La‘au and Ma‘ama‘a:</a> Traditional Hawaiian Ulua Fishing </em>(DVD), p. 510<br />
Reviewed by Mark A Calamia</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp172p512.pdf">Oltobed a Malt</a> </em>(Nurture, regenerate, celebrate). The Ninth Festival of Pacific Arts in Koror, Palau, 22–31 July 2004, p. 512<br />
Reviewed by Jane Freeman Moulin</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.2contributors.html"><strong>CONTRIBUTORS</strong></a>, p. 517</p>
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		<title>The Contemporary Pacific, vol. 17, no. 1 (2005)</title>
		<link>http://uhpjournals.wordpress.com/2005/01/08/the-contemporary-pacific-vol-17-no-1-2005/</link>
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		<pubDate>Sat, 08 Jan 2005 19:51:28 +0000</pubDate>
		<dc:creator>Joel</dc:creator>
				<category><![CDATA[The Contemporary Pacific]]></category>

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		<description><![CDATA[Errata
About the Artist: Meleanna Aluli Meyer, p. vii
Images

ARTICLES
Precarious Positions: Native Hawaiians and US Federal Recognition, p. 1
J Kehaulani Kauanui
This essay examines the politics of the controversial proposal for US federal recognition for Native Hawaiians. It explores a range of historical and legal issues that shed light on the multiple claims that constitute the complex terrain [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=uhpjournals.wordpress.com&blog=1002679&post=125&subd=uhpjournals&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1errata.html"><img src="http://www.uhpress.hawaii.edu/journals/cp/tcp171.gif" alt="TCP 17.1 cover image" hspace="5" width="151" height="216" align="right" /><strong>Errata</strong></a><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1meyer.html"></a></p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1meyer.html"><strong>About the Artist:</strong></a> Meleanna Aluli Meyer, p. vii<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1images.html"><strong>Images</strong></a></p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/toc/images/pacific_islands.jpg"><strong></strong></a></p>
<h4>ARTICLES</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1kauanui.html"><strong>Precarious Positions: Native Hawaiians and US Federal Recognition</strong></a>, p. 1<br />
J Kehaulani Kauanui</p>
<p><span id="more-125"></span>This essay examines the politics of the controversial proposal for US federal recognition for Native Hawaiians. It explores a range of historical and legal issues that shed light on the multiple claims that constitute the complex terrain of Hawaiian sovereignty politics. The article provides a historical overview of the events that impact the current situation and then discusses a particular set of contemporary conditions that serve as key elements in catalyzing widespread support for federal recognition—namely, the implications of the recent US Supreme Court ruling in <em>Rice v Cayetano </em>and subsequent legal challenges to Native Hawaiian programs and funding by the US government. It also highlights difficulties with the promise of federal recognition as a solution to “the Hawaiian problem” by looking at lessons from Indian Country, Native Alaska, and the Pacific—especially the US unincorporated territories. Finally, the essay explores the independence movement as an alternative to domestic dependent nationhood.<br />
<strong>Keywords:</strong> Native Hawaiians, sovereignty, United States, federal recognition, indigenous politics, land, self-governance</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1hoomanawanui.html"><strong>He Lei Ho‘oheno no na Kau a Kau: Language, Performance, and Form in Hawaiian Poetry</strong></a>, p. 29<br />
Ku‘ualoha Ho‘omanawanui</p>
<p>Hawaiian poetry developed in the nurturing embrace of oral tradition for nearly two thousand years before American missionaries introduced writing in the 1820s. Once literacy was established, Native Hawaiians enthusiastically set out to use the new technology to record their oral traditions in writing. During this period they also experimented with and developed new forms of mele, such as hula ku‘i. After the Hawaiian language was banned and the government overthrown in the late nineteenth century, there was a period where Hawaiian poetry was carried forward into the twentieth century by entertainers—singers, dancers, and musicians—who kept the performance aspect of Hawaiian poetry alive. The art of Hawaiian poetry was transformed in the latter half of the twentieth century, when haku mele (poets) began to write primarily in English and Hawai‘i Creole English while still maintaining Hawaiian themes and utilizing traditional metaphors. Since then, contemporary Hawaiian poetry in these languages has thrived alongside Hawaiian-language compositions, which are still perpetuated, mostly through the practice of hula. Today, Hawaiian poetry can be best described by using the metaphor of a haku lei, where different strands of language and influence are woven together to create something beautiful and unique, an enduring and perpetual symbol of Hawaiian cultural tradition—a lei ho‘oheno no nä kau a kau, a lei to be cherished for all seasons.<br />
<strong>Keywords:</strong> Hawaiian poetry, form, performance, Hawaiian literature</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1kaili.html"><strong>Tauhi va: Nurturing Tongan Sociospatial Ties in Maui and Beyond</strong></a>, p. 83<br />
Tevita O Ka‘ili</p>
<p>Although studies have shown that Tongan migrants maintain strong linkages with Tongans in Tonga as well as with their kin in New Zealand, Australia, and the United States, the Tongan concept of va, social space, has not been used to understand Tongan transnational relations. For Tongans, vä is organized through one’s genealogy and kinship ties. The concept of space is central to our understanding of transnationality because global practices involve the movement and flows of people and things within space and across spatial boundaries while people maintain sociospatial connections with one another. Tongans generally view reciprocal exchanges, whether within Tonga or transnational, as tauhi va: taking care of sociospatial ties with kin and kin-like members. In this article, I explore the concept of va and the practice of tauhi va primarily through my research among Tongans in Maui, Hawai‘i, as well as my experience with Tongans in Seattle, Washington. I argue that va and tauhi va provide us with new spatial concepts for framing our understanding of Tongan transnationality.<br />
<strong>Keywords:</strong> Social space, va, transnationalism, tauhi va, Tongan Americans, genealogy, fonua</p>
<h4>DIALOGUE</h4>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1huffer.html"><strong>Governance, Corruption, and Ethics in the South Pacific</strong></a>, p. 118<br />
Elise Huffer</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1wong-wilson.html"><strong>A Conversation with Mililani Trask</strong></a>, p. 142<br />
Noe NoeWong-Wilson</p>
<h4>POLITICAL REVIEWS</h4>
<p><strong>Micronesia in Review: Issues and Events, 1 July 2003 to 30 June 2004,</strong> p. 160<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1marsh.html">Kelly G Marsh</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1mcphetres.html">Samuel F McPhetres</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1shuster.html">Donald R Shuster</a></p>
<p><strong>Polynesia in Review: Issues and Events, 1 July 2003 to 30 June 2004,</strong> p. 185<br />
<a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1angleviel.html">Frédéric Angleviel</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1chappell.html">David Chappell</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1cummings_losch.html">Tracie Ku‘uipo Cummings Losch</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1jonassen.html">Jon Tikivanotau M Jonassen</a>, <a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1mutu.html">Margaret Mutu</a></p>
<h4>BOOK AND MEDIA REVIEWS</h4>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p224.pdf">The Trial of the Cannibal Dog:</a> Captain Cook in the South Seas, </em>by Anne Salmond <em>Cook: The Extraordinary Voyages of Captain James Cook, </em>by Nicholas Thomas, p. 224<br />
Reviewed by Tom Ryan</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p232.pdf">Sailing in the Wake of the Ancestors:</a> Reviving Polynesian Voyaging, </em>by Ben Finney, p. 232<br />
Reviewed by Richard Feinberg</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p235.pdf">No Sword to Bury:</a> Japanese Americans in Hawai‘i during World II, </em>by Franklin Odo, p. 235<br />
Reviewed by Jonathan Y Okamura</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p237.pdf">Kahana:</a> How the Land Was Lost, </em>by Robert H Stauffer, p. 237<br />
Reviewed by David Keanu Sai</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p240.pdf">Secrecy and Cultural Reality: </a>Utopian Ideologies of the New Guinea Men’s House, </em>by Gilbert Herdt, p. 240<br />
Reviewed by Andrew Lattas</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p243.pdf">Raiding the Land of the Foreigners:</a> The Limits of the Nation on an Indonesian Frontier, </em>by Danilyn Rutherford, p. 243<br />
Reviewed by Chris Ballard</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p245.pdf">Under the Gun:</a> The Small Arms Challenge in the Pacific, </em>by David Capie, p. 245<br />
Reviewed by Edwina Thompson</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p248.pdf">Akono‘anga Maori:</a> Cook Islands Culture, </em>edited by Ron Crocombe and Marjorie Tua‘inekore Crocombe, p. 248<br />
Reviewed by Jukka Siikala</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p250.pdf">Pacific Island Tourism,</a> </em>edited by David Harrison, p. 250<br />
Reviewed by Wardlow Friesen</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p252.pdf">Marshall Islands Legends and Stories,</a> </em>collected and edited by Daniel A Kelin II, p. 252<br />
Reviewed by Laurence Marshall Carucci</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p255.pdf">Samoan Art &amp; Artists:</a> O Measina a Samoa, </em>by Sean Mallon, p. 255<br />
Reviewed by Carol E Mayer</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p258.pdf">Conversations:</a> Occasional Writing from the Research School of Pacific and Asian Studies </em>2:1, June 2001, edited by Brij V Lal, p.<em> </em>258<br />
Reviewed by Paul Lyons</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p260.pdf">Kwamra:</a> A Season of Harvest, </em>by Russell Soaba <em>Captain Cook in the Underworld, </em>by Robert Sullivan, p. 260<br />
Reviewed by Briar Wood</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p264.pdf">Gender, Song, and Sensibility:</a> Folktales and Folksongs in the Highlands of New Guinea, </em>by Pamela J Stewart and Andrew Strathern, p. 264<br />
Reviewed by Don Brenneis</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p266.pdf">Panpipes across the Ocean:</a> A Production of Popular Tunes from the South Pacific Islands </em>(compact disc), p. 266<br />
Reviewed by Don Niles</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p268.pdf">Kuo Hina ‘E Hiapo:</a> The Mulberry is White and Ready for Harvest </em>(video), p.<em> </em>268<br />
Reviewed by Ping-Ann Addo</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p270.pdf">The Songmaker’s Chair, </a></em>by Albert Wendt (play), p. 270<br />
Reviewed by Melani Anae</p>
<p><em><a href="http://www.uhpress.hawaii.edu/journals/cp/cp171p273.pdf">Paradise Now? </a>Contemporary Art from the Pacific </em>(art exhibit), p. 273<br />
Reviewed by Fred Myers</p>
<p><a href="http://muse.jhu.edu/journals/contemporary_pacific/v017/17.1contributors.html"><strong>CONTRIBUTORS</strong></a></p>
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