The fall 2016 edition of the Asian Theatre Journal includes the following works:
Celebration of Life for James R. Brandon by Elizabeth Wichmann-Walczak
Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014) by Arthur S. Nalan
Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa by James Rhys Edwards and Nakazato Masao
Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre by Min Tian
S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange by Weihong Du
Korean Trojan Women: Performing Wartime Sexual Violence by Elizabeth W. Son
Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority by Sophia Tingting Zhao
Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition by Wei Zhang
Plus performance reports and reviews; founders of the field; and book reviews covering Chinese, Indian, Indonesian, Japanese, and transnational works.
Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the international theatrical community for the mutual benefit of all interested scholars and artists.
Single issue sales and annual subscriptions for both individuals and institutions available here.
Asian Theatre Journal welcomes articles on Asian theatre and on the relations and mutual influences between Asian and Western theatre. Find submission guidelines here.