Tag Archives: Asian Theatre Journal

Asian Theatre Journal, vol. 34, no. 1 (2017)

From this issue of Asian Theatre Journal. The betraying husband Bryan (Greg Brostrom) cowers before the spirit of his avenging wife while her ancestress Oiwa cradles the couple’s child in Carol Fisher Sorgenfrei’s Ghost Light: The Haunting. (Photo: Courtesy of Carol Fisher Sorgenfrei)

The spring 2017 issue of the Asian Theatre Journal includes the following works:

ARTICLES

Wayang Kulit Kelantan: A Study of Characterization and Puppets
by Ghulam-Sarwar Yousof and Kheng-Kia Khor

Dramatizing Romance of the Three Kingdoms in Japanese Puppet Theatre: Zhuge Liang’s Military Talk on the Three Kingdoms
by Kai Xie

The Development of Indonesian Modern Theatre: Four Periods of Creativity from 1970 to 2015
by Benny Yohanes Timmerman

The Hilarity of Unhappiness in Oh Tae-suk’s Tempest: Cross-Cultural Access and Precolonial/Indigenous Aesthetics
by Kyounghye Kwon Continue reading

Asian Theatre Journal, vol. 33, no. 2 (2016)

The yueju production of The Good Person of Jiangnan presents the Haipai culture style, with its elaborate costumes and magnificent sets and props. (Photo: Zhejiang Xiao Baihua Yueju Company)

The fall 2016 edition of the Asian Theatre Journal includes the following works:

IN MEMORIAM

Celebration of Life for James R. Brandon by Elizabeth Wichmann-Walczak

Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014) by Arthur S. Nalan

TRANSLATION

Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa by James Rhys Edwards and Nakazato Masao Continue reading

Asian Theatre Journal, vol. 33, no. 1 (2016)

Plate 4. You and Me, directed by Zhang Yimou. (Photo: Courtesy of the Chinese Committee of the Sixth Theatre Olympics)

You and Me, directed by Zhang Yimou.
(Photo: Courtesy of the Chinese Committee of the Sixth Theatre Olympics)

The spring 2016 edition of the Asian Theatre Journal includes the following works:

The Cross Currents of Modern Theatre and China’s National Theatre Movement of 1925–1926 Siyuan Liu

The Eternal Thread: Gunsam Lee’s First Play in English
Wook-Dong Kim Continue reading